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CHAPTER

4

TONAL HARMONY, THEORY AND PRACTICE

Linear Approach to Harmony

E MINOR Functions and Chord-Scales, Chalan, and General Theory

PAGE

376

LESSON-ID

A0034

Linear Approach to Harmony 001, t

Notes:

Notes:


1) 19:05 Em with F# is more save than Em with A in that regard. (see tonal "framework 2")


2) 23:39 Later we will also talk about the tendency of the added major 6 to give the chord a subdominant function sound


3) 25:41 The C# also creates a dissonant tritone with the minor 3rd G


4) 37:32 "moving roots" is actually an interesting image if you are visualizing it as being trees. (more philosophical)


5) ??:?? I wanted to say: "boxed text"

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